Key Highlights
- Branden Jacobs-Jenkins’ play ‘Appropriate’ nominated for eight Tony Awards, tackling racism and family dynamics.
- Sarah Paulson earns a nomination for her role in ‘Appropriate,’ highlighting the intersection of personal and political themes.
- Broadway’s 2023-24 season features politically charged family dramas with substantial nominations.
- Revival plays and new shows mirror contemporary political issues and offer fresh perspectives on traditional narratives.
(livesinsight.com) – Live theater always reflects the moment in which it’s presented, but this season, Broadway charged head-on into the politics of today with unusual force: A play that directly addressed antisemitism, Israel and Gaza opened barely two months after the events of Oct. 7; climate protestors interrupted a 140-year-old drama about the threat of environmental calamity, and an onstage chronicle of Vladimir Putin’s rise to power opened even as the Russian invasion of Ukraine rolled into its third year. Yet amid all its contemporary resonance, the 2023-24 slate of Tony nominees is equally dominated by one of the oldest forms of modern drama — the family play, now held up to view through an array of contemporary lenses. And often this season, the most intimate family stories were also the most searingly political. Popular on Variety “Family has always been the American premium in drama, and I think what’s special about family for Americans is it’s where politics begin,” says writer Branden Jacobs-Jenkins, whose play “Appropriate” is nominated for eight awards including best play revival. “Your first social unit is your family. They’re inseparable.” In “Appropriate,” Jacobs-Jenkins employs the scaffolding of a textbook American drama — a white family returns home to a decaying estate to sort through the belongings of a dead patriarch — to excavate the legacy of racism and slavery that tends to go unspoken in these stories. Although the play first premiered a decade ago, critics and audiences today have nonetheless found the depiction of one family’s sniping, grasping denial to be discomfortingly timely in the post-George Floyd era. “It’s the hardest thing I’ve ever done, and the most rewarding,” says the star of “Appropriate,” the Emmy-winning actor Sarah Paulson, now up for a Tony for her performance in the show. To her, it makes perfect sense that a play so focused on the personal also calls up the political. “I don’t think there’s any way to reflect what’s going on interpersonally without the consequence of also making a statement or having an opinion or involving what’s happening in our current political climate,” she says.
Branden Jacobs-Jenkins and the Political Family Play
Branden Jacobs-Jenkins’ “Appropriate” stands as a stark reflection of the political and social undercurrents shaping contemporary American drama. The play’s nomination for eight Tony Awards, including Best Play Revival, underscores its critical and cultural resonance. “Appropriate” dissects the unspoken legacy of racism and slavery through the lens of a seemingly typical American family. This incisive narrative approach highlights how personal histories are often entwined with broader societal issues. Jacobs-Jenkins’ work is emblematic of how modern playwrights are using the family drama genre to explore and comment on significant political themes. His insightful observation that “family is where politics begin” rings true, as “Appropriate” exposes how familial interactions can mirror larger social dynamics. The play’s revival comes at a poignant time, resonating with audiences in the post-George Floyd era. Critics have lauded the play for its unflinching portrayal of a white family’s confrontation with their own prejudices and the historical injustices that have shaped their lives. This thematic depth is a testament to Jacobs-Jenkins’ ability to craft stories that are both deeply personal and politically charged. Sarah Paulson’s performance in “Appropriate” has also been a focal point of critical acclaim. Her nomination for a Tony Award recognizes her nuanced portrayal of a character navigating the fraught intersections of personal and political turmoil. Paulson’s commitment to her role highlights the actor’s ability to bring complex characters to life, making her a standout in a season dominated by powerful performances. The collaboration between Jacobs-Jenkins and Paulson exemplifies how contemporary theater can challenge and provoke audiences, encouraging them to reflect on the societal issues that resonate within their own lives.
Sarah Paulson’s Stellar Performance
Sarah Paulson’s nomination for her role in “Appropriate” adds another accolade to her already illustrious career. Known for her versatility and depth, Paulson’s portrayal in Jacobs-Jenkins’ politically charged play has garnered widespread praise. Her performance is a masterclass in embodying a character whose personal struggles are inextricably linked with broader societal issues. Paulson’s approach to the role reflects her profound understanding of the play’s themes. She navigates the complex emotional landscape of her character with a deftness that has captivated both audiences and critics. Her ability to convey the weight of historical and personal trauma has been particularly noted, showcasing her skill in bringing layered, multifaceted characters to life. In interviews, Paulson has expressed how the play’s focus on the personal inevitably intersects with the political. She articulates that reflecting interpersonal dynamics often leads to a broader commentary on the current political climate. This perspective is evident in her performance, which seamlessly blends the personal and the political, making her character’s journey both relatable and thought-provoking. The Tony nomination serves as a recognition of Paulson’s exceptional talent and her ability to elevate the material through her performance. It also highlights the importance of actors who can navigate the intricate intersections of personal and political narratives, bringing them to the forefront of contemporary theater. Her work in “Appropriate” is a testament to the power of performance in shedding light on critical social issues, making her a deserving contender in this year’s Tony Awards.
The Political Charge of Broadway’s 2023-24 Season
This Broadway season has been marked by a notable surge in politically charged narratives, with family dramas taking center stage. The plays nominated for Tony Awards this year reflect a broad spectrum of political themes, from racism and antisemitism to environmental issues and immigration. These productions demonstrate how theater can serve as a powerful medium for social commentary, engaging audiences with stories that resonate on both a personal and political level. Joshua Harmon’s “Prayer for the French Republic” is one such play that has struck a chord with contemporary audiences. The narrative, which explores the impact of rising antisemitism on a Jewish family in France, has gained new urgency in light of recent global events. The play’s exploration of family dynamics amidst political turmoil mirrors the broader societal conflicts that many viewers find all too familiar. Similarly, Jocelyn Bioh’s “Jaja’s African Hair Braiding” brings attention to the experiences of Black immigrants and undocumented workers in America. Set in a Harlem braiding salon, the play uses humor and cultural specificity to highlight the political tensions that permeate the lives of its characters. This unique setting offers a fresh perspective on the immigrant experience, making it a standout in this season’s lineup. Paula Vogel’s “Mother Play” and Amy Herzog’s “Mary Jane” also exemplify how contemporary family dramas are addressing political issues. Vogel’s play, with its focus on a queer family’s journey, sheds light on the intersection of personal identity and societal norms. Herzog’s work, on the other hand, tackles the challenges faced by a single mother in the American healthcare system, highlighting the systemic failures that disproportionately affect women. These plays, along with others like “Purlie Victorious” and “Cabaret at the Kit Kat Club,” underscore the enduring relevance of family dramas in addressing contemporary political issues. They demonstrate how theater can provide a space for audiences to engage with the complexities of societal change, encouraging reflection and dialogue.
Revival Plays Reflecting Contemporary Issues
The Broadway season has not only been rich with new productions but also notable for its revivals that echo contemporary political concerns. Revival plays such as “Purlie Victorious” and “Cabaret at the Kit Kat Club” have garnered significant Tony nominations, reflecting their timeless relevance and ability to connect with modern audiences. “Purlie Victorious,” a revival of Ossie Davis’s 1961 play, addresses themes of race and social justice that remain pertinent today. The play’s exploration of Black identity and resistance resonates strongly in the current socio-political climate, making it a powerful addition to this season’s offerings. Its nomination for multiple Tony Awards is a testament to its enduring impact and contemporary relevance. “Cabaret at the Kit Kat Club” brings a classic musical back to the stage with renewed vigor. Set against the backdrop of the rise of Nazism in Germany, the play’s themes of political upheaval and the dangers of authoritarianism are strikingly relevant in today’s world. The production’s nine Tony nominations highlight its success in reimagining a classic for contemporary audiences, demonstrating how historical narratives can provide valuable insights into current issues. Amy Herzog’s adaptation of Ibsen’s “An Enemy of the People” also stands out for its timely environmental themes. The play’s exploration of environmental degradation and community conflict mirrors ongoing global concerns about climate change and ecological sustainability. Herzog’s approach, which retains the play’s original 19th-century setting, allows audiences to draw parallels between past and present, emphasizing the enduring nature of these issues. These revivals not only celebrate the rich history of theater but also highlight its ability to address contemporary concerns. By bringing classic plays to the modern stage, these productions create a dialogue between the past and the present, inviting audiences to reflect on how historical events and narratives continue to shape our understanding of today’s world. The success of these revivals at the Tony Awards underscores their importance in the current theatrical landscape, reaffirming the power of theater to engage with and reflect societal change.
New Productions Highlighting Political Themes
In addition to the notable revivals, this Broadway season has seen the emergence of new productions that tackle pressing political issues with fresh narratives and innovative approaches. These new plays and musicals have captured the attention of audiences and critics alike, earning multiple Tony nominations for their bold storytelling and thematic relevance. “Suffs,” a musical chronicling the fight for women’s suffrage, stands out as a powerful example of how new productions are engaging with historical and political themes. The show’s focus on the struggles and triumphs of women suffragists offers a poignant reminder of the ongoing fight for gender equality. With six Tony nominations, “Suffs” has been celebrated for its compelling narrative and dynamic performances, making it a significant contribution to this season’s lineup. “Patriots,” a play about the architect of Vladimir Putin’s rise to power, delves into the complexities of political manipulation and the consequences of authoritarianism. The show’s exploration of contemporary Russian politics is both timely and provocative, inviting audiences to consider the global implications of political power dynamics. The play’s critical acclaim and multiple Tony nominations highlight its impact and relevance in today’s world. These new productions, along with others like Joshua Harmon’s “Prayer for the French Republic,” underscore the vibrant and dynamic nature of contemporary theater. By addressing a wide range of political issues, these plays and musicals provide audiences with diverse perspectives and thought-provoking narratives. They demonstrate the power of theater to not only entertain but also to challenge and inspire, encouraging audiences to engage with the world around them in new and meaningful ways. The success of these productions at the Tony Awards reflects their significance in the current theatrical landscape, highlighting the important role of new voices and stories in shaping the future of theater. As Broadway continues to evolve, these innovative productions will undoubtedly leave a lasting impact, contributing to the ongoing dialogue between art and society.
The Intersection of Family and Politics
At the heart of many of this season’s most acclaimed productions lies the intersection of family and politics. This thematic convergence reflects the ways in which personal relationships are often shaped by and reflective of broader societal issues. The plays nominated for Tony Awards this year illustrate how family dynamics can serve as a microcosm for exploring political tensions and social change. In “Appropriate,” Branden Jacobs-Jenkins uses the framework of a family drama to delve into issues of racism and historical trauma. The play’s portrayal of a white family grappling with their legacy of prejudice underscores how personal histories are often intertwined with larger societal narratives. This approach allows for a nuanced exploration of how political issues impact individual lives and relationships. Similarly, Amy Herzog’s “Mary Jane” addresses the challenges faced by a single mother caring for a chronically ill child. The play highlights the systemic failures of the healthcare system, particularly as they affect women, and underscores the intersections of personal and political struggles. Herzog’s focus on the experiences of a caregiver provides a deeply human perspective on issues that are often discussed in abstract terms. Paula Vogel’s “Mother Play” brings a contemporary lens to the traditional family drama, focusing on a queer family navigating societal norms and expectations. The play’s exploration of identity, acceptance, and resistance reflects broader conversations about LGBTQ+ rights and representation. Vogel’s work demonstrates how personal stories can illuminate broader political themes, making them accessible and relatable to audiences. These productions, along with others like Joshua Harmon’s “Prayer for the French Republic” and Jocelyn Bioh’s “Jaja’s African Hair Braiding,” highlight the powerful role of family narratives in contemporary theater. By focusing on personal relationships and experiences, these plays provide a deeply emotional and human perspective on political issues, encouraging audiences to engage with the complexities of societal change. The success of these productions at the Tony Awards underscores their importance in the current theatrical landscape, reaffirming the power of theater to not only entertain but also to provoke thought and inspire action.